Makerspaces on Social Media: Shaping Access to Open Design

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

Makerspaces on Social Media : Shaping Access to Open Design. / Menendez-Blanco, Maria; Bjørn, Pernille.

In: Human-Computer Interaction, Vol. 34, No. 5-6, 2019, p. 470-505.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Menendez-Blanco, M & Bjørn, P 2019, 'Makerspaces on Social Media: Shaping Access to Open Design', Human-Computer Interaction, vol. 34, no. 5-6, pp. 470-505. https://doi.org/10.1080/07370024.2019.1566000

APA

Menendez-Blanco, M., & Bjørn, P. (2019). Makerspaces on Social Media: Shaping Access to Open Design. Human-Computer Interaction, 34(5-6), 470-505. https://doi.org/10.1080/07370024.2019.1566000

Vancouver

Menendez-Blanco M, Bjørn P. Makerspaces on Social Media: Shaping Access to Open Design. Human-Computer Interaction. 2019;34(5-6):470-505. https://doi.org/10.1080/07370024.2019.1566000

Author

Menendez-Blanco, Maria ; Bjørn, Pernille. / Makerspaces on Social Media : Shaping Access to Open Design. In: Human-Computer Interaction. 2019 ; Vol. 34, No. 5-6. pp. 470-505.

Bibtex

@article{e4ca27fdb9964480bdebac7f7cf43545,
title = "Makerspaces on Social Media: Shaping Access to Open Design",
abstract = "Open Design is an emerging area of research that seeks to connect and extend the culture of making, social innovation, open-source software, and open-source hardware. A cornerstone for Open Design is to broaden participation in technology innovation by allowing people to use and contribute to publicly shared resources. Makerspaces are important access points to share and contribute to these resources. However, prior to entering the physical door of a makerspace, makerspaces{\textquoteright} social media presence serve as the {\textquoteleft}front door{\textquoteright} for Open Design activities. In this paper, we examine different {\textquoteleft}front doors{\textquoteright} of Open Design, asking: What are the characteristics that produce makerspaces{\textquoteright} social media presences, and how do these representations shape potential access to Open Design activities? We manually collected and qualitatively analyzed 500 public posts on the Facebook sites of five makerspaces in Copenhagen, Denmark. By choosing the same geographical area, we were able to explore the characteristics of makerspaces{\textquoteright} social media presences for the same potential population of Open Design participants. Our analysis identifies three main characteristics of makerspaces{\textquoteright} social media presence, which together shape access to Open Design activities, namely reach, transparency, and discourse. The display of these characteristics produce openness and availability in unique ways, and is constitutive for how Open Design activities are produced online. In this paper, we do not argue for or against specific social media representations. Instead, we argue that the specificities and differences between makerspaces{\textquoteright} social media presences in the same geographical region have the strength of producing different identities across spaces, allowing for a broader definition and potential participation in Open Design.",
author = "Maria Menendez-Blanco and Pernille Bj{\o}rn",
year = "2019",
doi = "10.1080/07370024.2019.1566000",
language = "English",
volume = "34",
pages = "470--505",
journal = "Human-Computer Interaction",
issn = "0737-0024",
publisher = "Taylor & Francis Online",
number = "5-6",

}

RIS

TY - JOUR

T1 - Makerspaces on Social Media

T2 - Shaping Access to Open Design

AU - Menendez-Blanco, Maria

AU - Bjørn, Pernille

PY - 2019

Y1 - 2019

N2 - Open Design is an emerging area of research that seeks to connect and extend the culture of making, social innovation, open-source software, and open-source hardware. A cornerstone for Open Design is to broaden participation in technology innovation by allowing people to use and contribute to publicly shared resources. Makerspaces are important access points to share and contribute to these resources. However, prior to entering the physical door of a makerspace, makerspaces’ social media presence serve as the ‘front door’ for Open Design activities. In this paper, we examine different ‘front doors’ of Open Design, asking: What are the characteristics that produce makerspaces’ social media presences, and how do these representations shape potential access to Open Design activities? We manually collected and qualitatively analyzed 500 public posts on the Facebook sites of five makerspaces in Copenhagen, Denmark. By choosing the same geographical area, we were able to explore the characteristics of makerspaces’ social media presences for the same potential population of Open Design participants. Our analysis identifies three main characteristics of makerspaces’ social media presence, which together shape access to Open Design activities, namely reach, transparency, and discourse. The display of these characteristics produce openness and availability in unique ways, and is constitutive for how Open Design activities are produced online. In this paper, we do not argue for or against specific social media representations. Instead, we argue that the specificities and differences between makerspaces’ social media presences in the same geographical region have the strength of producing different identities across spaces, allowing for a broader definition and potential participation in Open Design.

AB - Open Design is an emerging area of research that seeks to connect and extend the culture of making, social innovation, open-source software, and open-source hardware. A cornerstone for Open Design is to broaden participation in technology innovation by allowing people to use and contribute to publicly shared resources. Makerspaces are important access points to share and contribute to these resources. However, prior to entering the physical door of a makerspace, makerspaces’ social media presence serve as the ‘front door’ for Open Design activities. In this paper, we examine different ‘front doors’ of Open Design, asking: What are the characteristics that produce makerspaces’ social media presences, and how do these representations shape potential access to Open Design activities? We manually collected and qualitatively analyzed 500 public posts on the Facebook sites of five makerspaces in Copenhagen, Denmark. By choosing the same geographical area, we were able to explore the characteristics of makerspaces’ social media presences for the same potential population of Open Design participants. Our analysis identifies three main characteristics of makerspaces’ social media presence, which together shape access to Open Design activities, namely reach, transparency, and discourse. The display of these characteristics produce openness and availability in unique ways, and is constitutive for how Open Design activities are produced online. In this paper, we do not argue for or against specific social media representations. Instead, we argue that the specificities and differences between makerspaces’ social media presences in the same geographical region have the strength of producing different identities across spaces, allowing for a broader definition and potential participation in Open Design.

UR - http://www.scopus.com/inward/record.url?scp=85063934039&partnerID=8YFLogxK

U2 - 10.1080/07370024.2019.1566000

DO - 10.1080/07370024.2019.1566000

M3 - Journal article

AN - SCOPUS:85063934039

VL - 34

SP - 470

EP - 505

JO - Human-Computer Interaction

JF - Human-Computer Interaction

SN - 0737-0024

IS - 5-6

ER -

ID: 239810718